Levinson has defended the view that musical expressiveness is essentially the expression of a fictional musical agent, or “persona.” His assumption is that expressiveness can make sense only if it is reduced to some kind of expression: the puzzle of expressiveness is to understand how it is possible for some objects ...
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What is the Levinson philosophy?
Philosophical work
Levinson advocates the position that music has the same relation to thought as does language; i.e., if language is an expression of thought, so is music.
What is the concept of music Levinson?
final definition: music is sounds temporally organized by a person for the purpose of enriching or intensifying experience through active engagement (e.g. listening, dancing, performing) with the sounds regarded primarily, or in significant measure as sounds: covers all kinds of music, but excludes Muzak.
What is the philosophy of music?
Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics.
What is the philosophy of Baroque music?
The philosophy of Baroque music is that music represents the emotions (affections) of real life and, in so doing, excites the listener's emotions. Music must express emotions and it must move the listener. It is generally agreed that Italian Baroque music expressed the emotions (passions or affections) best.
How is Levinson's theory of music similar to or different from Beardsley's definition of dance? Try comparing Levinson's view of music to that of Nietzsche.
22/10/2007 · Philosophy of music is the study of fundamental questions about the nature and value of music and our experience of it.
29/09/2015 · In a minimum of space, Levinson articulates his view that good music typically offers hedonic value, the pleasure of appreciative listening, but ...
Philosophical work Levinson advocates the position that music has the same relation to thought as does language; i.e., if language is an expression of thought, ...
31/03/1998 · Levinson's theory that musical understanding lies in entering the flow of linked musical moments is firmly and compellingly made in his Music in ...
Thus, instead of pure type theory, Levinson presents indicated type theory, which can wholly capture the various characters of musical works.
In the opening essay, Levinson reflects on the possible non- superficial affinities between Philosophy and Music, considering the following relations: (1) music ...
The value of this collection consists in providing insights both into traditional discussions of the philosophy of music, such as the music-emotion relation, ...
This essay explores the philosophical concept of Musical Platonism, which proposes the existence of eternal and unchanging musical forms separate from the ...
